A short film made for french TV, En Profil dans le Text, by Eric Rohmer. Dealing with the salons of Diderot.

"Until Rameau's Nephew... no one has exhibited a film that deals so thoroughly with the range of perceptual problems elicited by the sound cinema." (M. Keller, Chicago Film Centre) 　　"...an achievement of the originality and brilliance of Wavelength. Snow embraces the problems on intimacy of language and thought with such variety, clarity and invention and high humour that again he seems to have made a film out of which an entire future movement could be mined." (P. Adams Sitney, Soho Weekly News) 　　I started scripting this film in February 1972 and writing, shooting, mixing, editing and continued till September '74. Some ideas used in it date from 1966 when I recognized in myself the ambition to make an authentic Talking Picture i.e. true to its description, it moves for its content from the facts of the simultaneities of recorded speech and image; it is built from the true units of a 'talking picture' the syllable and the frame. All the possible image/sound relationships centering around people and speech generate the movie-audience relationships: a wide range of emotional possibilities, the experience of seeing/hearing this film.'Speech', 'Language', 'Culture' - their source, their nature...recorded, imaged, prove (?) that in this case a word is worth 1000 pictures. (Michael Snow) 　　Scripted and Directed by Michael Snow. Shot primarily in Toronto and New York by himself, Keith Lock, Babette Mangolte, David York and others.

"Until Rameau's Nephew... no one has exhibited a film that deals so thoroughly with the range of perceptual problems elicited by the sound cinema." (M. Keller, Chicago Film Centre) 　　"...an achievement of the originality and brilliance of Wavelength. Snow embraces the problems on intimacy of language and thought with such variety, clarity and invention and high humour that again he seems to have made a film out of which an entire future movement could be mined." (P. Adams Sitney, Soho Weekly News) 　　I started scripting this film in February 1972 and writing, shooting, mixing, editing and continued till September '74. Some ideas used in it date from 1966 when I recognized in myself the ambition to make an authentic Talking Picture i.e. true to its description, it moves for its content from the facts of the simultaneities of recorded speech and image; it is built from the true units of a 'talking picture' the syllable and the frame. All the possible image/sound relationships centering around people and speech generate the movie-audience relationships: a wide range of emotional possibilities, the experience of seeing/hearing this film.'Speech', 'Language', 'Culture' - their source, their nature...recorded, imaged, prove (?) that in this case a word is worth 1000 pictures. (Michael Snow) 　　Scripted and Directed by Michael Snow. Shot primarily in Toronto and New York by himself, Keith Lock, Babette Mangolte, David York and others.

前世，秦厌本为秦家遗弃子，因魔域动乱、弟弟秦阳接到征召不敢去，因而被家族寻回。愚孝顾念亲情的他，替弟出征域外战场，以赫赫功勋令秦家崛起。谁知当功成受封那日，自己最在乎的家人却剃他剑骨，占他功勋，敲骨吸髓！直到死，他才明白，父亲在乎的只有面子，尊严，家族繁盛。母亲在乎的只有弟弟，而将他视为讨债鬼。而那自以为是的弟弟，实则只是个寄生虫，用5年时间替代了他的身份，占据了他的一切。痛恨绝望之下，秦霄以剑魂斩苍天，逆天回溯时光回到5年前生日那天。这一世，上穷碧落下黄泉，秦某与你家永生永世、再无瓜葛！在下十二星剑皇，敢问阁下几星

达米安，一个教亚洲文化的老师，受身为舞台剧导演的女友伊娃之托，帮助即将被驱逐出法的女孩佐丽察。女友不住要求达米安寻求在政府工作的父亲的帮助，只是达米安与父亲的关系并不如意，而一拖再拖。随着事件的进展，达米安的生活却发生着变化，与女友感情亮起红灯，发现了父亲几十年的秘密，更可怕的是，一直各种推诿的帮助对象，其实是自己有些许心仪的女孩......生活陷入一团乱麻的达米安重新意识到存在的价值，生活的意义，开始用尽全力帮助佐丽察。寻找霍腾瑟，其实也是寻回自我的过程。 　　本片入围第69届威尼斯电影节非竞赛单元，且入围2013年凯撒奖最佳男主角与最佳男配角奖项。同时，本片也是导演巴斯可·波尼茨和女主角克里斯汀·斯科特·托马斯继2003年的《小伤痕》后的再度合作。

达米安，一个教亚洲文化的老师，受身为舞台剧导演的女友伊娃之托，帮助即将被驱逐出法的女孩佐丽察。女友不住要求达米安寻求在政府工作的父亲的帮助，只是达米安与父亲的关系并不如意，而一拖再拖。随着事件的进展，达米安的生活却发生着变化，与女友感情亮起红灯，发现了父亲几十年的秘密，更可怕的是，一直各种推诿的帮助对象，其实是自己有些许心仪的女孩......生活陷入一团乱麻的达米安重新意识到存在的价值，生活的意义，开始用尽全力帮助佐丽察。寻找霍腾瑟，其实也是寻回自我的过程。 　　本片入围第69届威尼斯电影节非竞赛单元，且入围2013年凯撒奖最佳男主角与最佳男配角奖项。同时，本片也是导演巴斯可·波尼茨和女主角克里斯汀·斯科特·托马斯继2003年的《小伤痕》后的再度合作。

故事发生在英国一座位于海边的小镇中，利兹（乔迪·梅 Jodhi May 饰）是一个性格有些内向的害羞女子，带着年仅16岁的男友戴茨（乔丹·博尔格 Jordan Bolger 饰），两人来到小镇上度假。同样来到了小镇的，还有一位内心世界十分丰富的艺术家艾登（爱德华·霍格 Edward Hogg 饰），跟他一起的，是脾气十分暴躁，性格反复无常的16岁情人贝斯（杰西卡·巴登 Jessica Barden 饰）。 　　就是这样两对仿佛错了位的情侣，他们在小镇上肆意的挥洒着他们的欢笑和激情，也只有在这里，这两段饱受世俗偏见困扰的感情能够毫无遮掩的流露出来。但岛上的生活毕竟是虚幻的，逃得再远，四人也终究要面对他们内心里的黑洞。

故事发生在英国一座位于海边的小镇中，利兹（乔迪·梅 Jodhi May 饰）是一个性格有些内向的害羞女子，带着年仅16岁的男友戴茨（乔丹·博尔格 Jordan Bolger 饰），两人来到小镇上度假。同样来到了小镇的，还有一位内心世界十分丰富的艺术家艾登（爱德华·霍格 Edward Hogg 饰），跟他一起的，是脾气十分暴躁，性格反复无常的16岁情人贝斯（杰西卡·巴登 Jessica Barden 饰）。 　　就是这样两对仿佛错了位的情侣，他们在小镇上肆意的挥洒着他们的欢笑和激情，也只有在这里，这两段饱受世俗偏见困扰的感情能够毫无遮掩的流露出来。但岛上的生活毕竟是虚幻的，逃得再远，四人也终究要面对他们内心里的黑洞。

Three kids in a low-income neighbourhood find friendship and community in an unlikely place, in this adaptation of Catherine Hernandez’s award-winning book.